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Wednesday, February 3, 2016

"Shaped Wind, Breath, Spirit, the Animating Force..."

...is how I began my multi-cultural educational presentation at the Peninsula Multi-Faith Coalition meeting this past Monday evening.

Starting with Native American flute and then moving to Australian Didjeridoo, I demonstrated this animating force and commented on the connections it has with all of the various faith traditions gathered in the room.

Then moving to djembe, a drum that was designed for healing (like a chalice) in Mali, I recalled that some people believe that our first religion, as humans, was dance, right after we started drumming.

(As a parent of two, and a current preschool music teacher in Peninsula Music Together, I can attest to the truth that we are all percussionists First!)

Another characteristic of African drummers is the awareness or belief that the rhythms are eternal and that what we are seeking to do is to create the conditions for them to come and inhabit us for a time, flowing through us for the good of the community.

After this I demonstrated how the music of Chinese, Arabic and African-American people can be played on the Hammered Dulcimer without retuning, simply by starting in a different place and playing the scales native to each.

Contradicting scholar Stephen Pinker, who once declared that music was "auditory cheesecake," I shared what the rest of the scholarly community knows about the power of music:

It helps us get together to find partners to keep the species going.
It helps us build group identity and cohesion.
It can soothe infants (and perhaps keep them safe in times of danger).  [The brain waves and heart rates of both mother and child have been documented to settle into very calm rhythms with the singing of a lullabye, a condition which lasts for more than 30 minutes after the singing has ended.]

I related a story from my own parenting:  When my son, Zach, had night terrors, the only song that would calm him was the African-American spiritual, Wade in the Water (which we had just gotten done singing as a group.)

I shared Pete Seeger's Preface in the new Rise Again Songbook, which I just received as a gift for Christmas.

"The older I get, the more I am convinced that if there's a human rase in a hundred years, one of the main reasons will be that we found ways we can sing together.  Different religions, different languages—the act of singing together makes us realize we're human beings.  We can't put it in words.  To a certain extent all the arts are important—the dancing arts!  Cooking arts! Humor arts! Sports!

But if we're still here I believe singing will be a main reason why.  Not solo singing, singing together.  Families can sing together.  Strangers can sing together.  People who think they hate each other can sing together.  

And perhaps if we find the right songs, even people who are so filled with hate they are ready to pull the trigger on somebody—we can reach them too.  Who knows?"

I then sang a snippet from a Russian lullabye:  (phonetically spelled here)

Poost veg dah, bood yet solhnsay
Poost veg dah, bood yet nyaybah
Poost veg dah, bood yet mama
Poost veg dah, bood do yah.

May there always be sunshine,
May there always be blue skies,
May there always be Mama,
May there always be me.

It was been said that when the soldiers were called to the Kremlin at the end of the USSR, their mothers and babushkas lined the roads and sang this to them, and they didn't fire upon the crowds.

Music is powerful.  They found a song that kept them from pulling the trigger.

Then my wonderful spouse, Connie, joined me in singing Santa Cruz songwriter, Jon Fromer's amazing song:  Gonna Take Us All



It IS gonna take us all, and we CAN do it.

Saturday, January 23, 2016

Western Workers Labor Heritage Festival

Martin Luther King, Jr. Weekend, Machinist's Hall, Burlingame, California:

Western Workers Labor Heritage Festival

It was supposed to be both the 30th Anniversary and the final celebration of an amazing gathering of poets, singers, songwriters and artists from labor unions in the west.  The inspiration of Jimmy, a singing mail carrier who attended the Great Labor Arts Exchange in the DC area and decided that the West Coast region needed something like this, it was carried forward by Jon Fromer and David Winters and Shelley (I'm Not Your Mother!).

The terrific news I was greeted with as I arrived this year is that there is an energetic group of young workers who have formed a team to continue this festival in a new way.  So the wake turned out to be a Wake-Up and holler in joy!

I was particularly moved this year by workshops:

By the silver-and-acid-tongued Professor Louie, the Brooklyn Street Poet who has won the Poetry Prize at the Great Labor Arts Festival for multiple years, whose workshop on humor and stories was insightful and entertaining.

By the dedicated, careful and direct songwriters, Charlie King and Dave Lippman, whose workshop on Writing Parodies unveiled a level of care and sophistication that put me in a state of awe and inspired me to think in much broader and more careful terms.

Instead of mourning the passing of this powerful gathering, I am celebrating and eager to see what will come next!


Saturday, December 19, 2015

I Wonder as I Wander Bass Mountain Dulcimer Solo





Sometimes the road leads right back home,

but the wondering doesn't stop.



Here I am playing a bass solo on the bass mountain dulcimer I converted from a Hughes Church Dulcimer kit several years ago.



The tune is "I Wonder As I Wander" and is featured on a baritone mountain dulcimer on my CD

'Twas in the Moon of Wintertime and an arrangement of it is is included in my book Dulcimer-Friendly Worship, Vol III: Christmas in a Mellow Mode. 



An .mp3 and the tablature for this arrangement is a reward for supporters of my Patreon Campaign at http://patreon.com/steveeulberg



I also teach this tune on both mountain and hammered dulcimers at http://dulcimercrossing.com

Friday, November 27, 2015

Invitation to Advent Dulcimer Devotions

Here is an Invitation for you!

I have put together some Advent Dulcimer Devotions, delivered weekly to your email inbox for the 4 weeks of Advent.  

These are instrumental recordings of Advent hymns, played on various ensembles of mountain and hammered dulcimers, sometimes with additional accompaniment.  

They can be just what your centering practice desires for the hectic days and weeks before Christmas actually arrives:

You can sign up here:  http://eepurl.com/bFCEhD

or go to my website and sign up in the middle of the page:  http://owlmountainmusic.com

Cheers!

Steve Eulberg

PS I will also be giving a Concert Window Concert of Advent Tunes on Monday, Nov 30 at 5:30 pm PST, 6:30 pm MST, 7:30 pm CST, 8:30 pm EST

Monday, November 23, 2015

Patreon Campaign Progress

www.patreon.com/steveeulberg
Since beginning this project in January to help celebrate the 25th Anniversary of Owl Mountain Music, Inc. I am now (drumroll please!) 


76% of the way to reaching my goal of 30 patrons in my first year!

This has resulted in our reaching 3 Milestone Goals and being only $8 a month away from reaching the 4th Milestone Goal.  
(Each goal results in additional special rewards for Patrons).

Now here is the real deal, or why I started this project:

9 Projects Completed:


1. Chopin’s Raindrop Prelude arr. for Mountain Dulcimer

4. Another Jig Will Do digitized

5. Dulcimer-Friendly Worship Vol II digitized book and CD

6. Soaring SongBook created, digitized

7. a piece of it all Chord Chart Book created, digitized


9. First Snow for Mixed Dulcimer Quartet Video


New Work Created/Begun:


Traded My Thyroid In (Guitar Tablature)

2 New (unnamed) hammered dulcimer compositions

Progress on 3 new Dulcimer Orchestra Arrangements

The strongest impact for me, however, has been to have this community of support (whose presence challenges me to keep focused!)

Thursday, November 19, 2015

(After the) Concert Window Show

Now THAT was a lot of fun!
Pre-Show set up

I had done a Concert Window Show with my trio, S.E.A (Erin Mae Lewis and Amber Rogers) last month, but this week was the first one I did as a solo, and it was a blast.

Lots of folks tuned in from several different time zones and were very active in posting while I played and sang Gratitude-Themed songs and tunes.

Pre-Show Selfie
While preparing for the show was very much like any other concert, choosing the tunes, designing the Set List, deciding which instrument would play which tune, doing the publicity and reminders about the show, making postcards for my local classes and friends; the real difference is after the show.  Connecting with the people joined in, those who had comments during the show or who left comments afterwards.  Those who chose tips which need rewards sent to them.

All of this is the connection that is sometimes missing after a live concert when I have to pack up my gear and drive back home.

Some of my friends ask if I think the 70/30% split with Concert Window is a fair one.  My answer:  yes.

Not only is the interface and the publicity and the accounting and the follow-up quite intuitive, the quality of the video and sound is higher than some other platforms, AND there is a highlight video created immediately, AND I am able to save an archival copy of the show, provided I make no commercial use of it.   Furthermore, this is a better percentage in favor of the artist that other platforms that I've used in the past.  Finally, your tips and tickets and support was deposited into my bank within 4 days.

Here is the highlight video from the concert:



Ungrateful to These Teachers is the first concert performance of this tune, inspired by a poem by Kahlil Gibran.

I will be giving other Concert Window Shows.  If you want to follow me on Concert Window  here is My Channel.

The next one will be an ADVENT-themed show with tunes from my first all-instrumental recording, Hark, the Glad Sound!  so mark your calendar!

Monday, November 30, 5:30 pm PST, 6:30 pm MST, 7:30 pm CST, 8:30 pm EST

Tuesday, October 20, 2015

Working with a Team

Aunt Mabel, who lived next door to us as I grew up, used to say, "Many hands make light the work."

Shellie Baxter Photography
Perhaps because I am primarily a solo touring and performing artist, I have been kerwacked in the best possible way with the awesome joy and power of working together with other partners in a creative venture.

My trio, S*E*A (folkgrass) just completed our 4th tour of the year with a 14-day tour of the middle of the California Coast.  Erin Mae Lewis and Amber Rogers arrived on the 30th Anniversary of my Ordination and we played a Bell Tower Show at St. Philip Episcopal Church in Scotts Valley (near Santa Cruz) to launch the tour.

Band on BART: Amber Rogers Selfie
We had stops in Palo Alto, San Mateo, the beach in Half Moon Bay, Erin and Amber joined Wayne Jiang and Patricia Delich for some Pacifica and San Francisco adventures; we headed as far north as Roseville and returned to San Mateo for an amazing Seasons of Blessing Concert to raise funds for the survivors of the Lake County California fires and give the best-ever Concert Window show.

Then we packed up to enjoy the FarWest Folk Alliance in Oakland for the weekend.  We drew the first slot for the Open Mic at the Freight & Salvage Coffeehouse on Wednesday night.

There we jammed at every possible opportunity, played for showcases and represented another part of our team, Local 1000 AFM, in the Networking Center, and volunteered for a total of 24 hours to support the conference.
Jeanette Lundgren (Mother Hen Promotions)


I took part in a Panel Workshop on Crowdfunding to talk about another part of my team:  Patreon.

We then gave a workshop called:  Organizing:  The Nuts and Bolts of Touring.

But the best was when we arrived back in my home on Sunday night and Erin exclaimed:  "Let's have a FarWest FollowUp Party tomorrow!"

That sounds a whole lot better than w*o*r*k to me, and you know what, it WAS!

FarWest Photo

And it made me recall how many people's support and commitment helps me to continue making my way in this world as a musician and creative artist.

So Aunt Mabel's words have proven true in my experience, and I just want to say,

Thank-You to ALL OF YOU!